| 2021 | McLeoad | Brother | Bass on 2 tracks |
| 2020 | LCM | I Don’t Know Why I Love You (But I Love You) (single) | Bass |
| 2019 | Vinny Peculiar | While You Still Can | Bass and Backgroud vocals |
| 2019 | Lasperanza | Seeds | Bass on 2 tracks |
| 2017 | Rogue Emperor | Holy Ghost (single) | Bass |
| 2017 | Mancunian Candidate | Mancunian Candidate | Bass On one Track |
| 2015 | Vinny Peculiar | Down The Bright Stream | Bass & Backing Vocals on 7 Tracks |
| 2014 | Joe Rose | Spurs | Bass on 5 Tracks |
| 2014 | Ash Hunter | Rural Music | Bass guitar and Double bass on all |
| 2013 | Parlour Flames | Parlour Flames | Bass Guitar on 2 Tracks |
| 2012 | Angie Palmer | Old Sticks To Scare A Bird | Bass Guitar, Double Bass & Vocals |
| 2011 | Big Finn | Last 5 Minuites In Funland | Bass Guitar, Double Bass & Vocals |
| 2010 | Badly Drawn Boy | It’s What I’m Thinking Pt.1 – Photographing Snowflakes | Bass Guitar And Double Bass |
| 2009 | Badly Drawn Boy | The Fattest Man In Britain Sound Track | Bass Guitar And Double Bass |
| 2009 | Akoustrick | Akoustrick | Bass Guitars & Composer |
| 2009 | Ian Lang | The Whisper | Bass Guitar & Double Bass |
| 2009 | Craig Owen | Craig Owen Band | Double Bass |
| 2008 | Angie Palmer | Meanwhile, As Night Falls | Bass Guitar & Double Bass |
| 2007 | Cherry Ghost | A Thirst For Romance | Bass on three tracks |
| 2007 | Dani Minoque | He’s The Greatest Dancer | Bass Guitar |
| 2007 | Ollie Collins | A New Direction | artist, performer, writer, producer |
| 2007 | Big Finn | Stand Up And Be Counted | Bass, Double Bass & Sousaphone on 10 tracks |
| 2007 | Sax Assault | Sax Of Gold | Fretted & Fretless basses |
| 2007 | Jooks | Soft Hands | Bass On Two Tracks, fretted / fretless |
| 2006 | Angie Palmer | Tales Of Light And Darkness | Electric and acoustic bass |
| 2006 | The Wrong Humans | Mettle Music Vibes Collection | Fretless Bass, on “The Raven” |
| 2005 | Plus 4 | When We Say Jump | Acoustic Bass all tracks |
| 2005 | Rebelski | Stickers On Keys | Bass on “Little White Lines” |
| 2004 | Angie Palmer | Road | Acoustic and electric basses |
| 2004 | Big Finn | Gold In A Brass Age | Fender and Acoustic basses |
| 2003 | Mettle Music | Moodswings | Fender bass on 3 tracks |
| 2003 | Malana | Malana | Bass On Three Tracks |
| 2003 | Dave Walsh | Melody Before Me | Various Basses |
| 2003 | Holly Lerski | Life Is Beautiful | Fender bass, acoustic bass 3 tracks |
| 2003 | Mettle Music | Destination Manchester | Bass on tracks by Mettle Music and Melana |
| 2003 | Ollie Collins | Make Time Last | artist, performer, writer, producer |
| 2003 | Rebelski | Rebelski | 3 tracks electric and acoustic bass |
| 2002 | Matt Swindells | Matt Swindells | Bass On 3 Tracks |
| 2002 | Plus 4 | Blue Notes | Acoustic Bass all tracks |
| 2002 | BigFinn | BigFinn | Electric /acoustic basses |
| 2002 | Mettle Music | Honeycomb Lounge | Bass on 5 tracks |
| 2002 | Jersey Street | After The Rain | fretless /acoustic bass, 2 tracks |
| 2001 | Jersey Street | Hold your head up high | fretless bass |
| 2000 | The Elastic Band / La Gente Urbana – | 2000 Blues / Osanyin | Electric Bass |
| 2000 | Galera | New Year New Life | Electric Bass |
| 2000 | Galera | Maracatu / Jinga | Electric Bass |
| 2000 | Moolah | Face Like A Sink | Electric Bass, Double bass, BVs |
| 2000 | Jersey Street | Step In To The Light | fretless /acoustic bass, 2 tracks |
| 2000 | Jersey Street | How Can I Be Loved | fretless bass |
| 2000 | Jersey Street | Something’s Going Down | Fender bass |
| 1999 | Dean O’Shea Group | Over The City | Electric Bass, writer |
| 1999 | Galera | New Year / Ano Nova | Electric Bass |
| 1999 | Iconic Phare | Turning The Tide | Electric Bass, Chapman Stick, BVs |
| 1999 | Aziah Mather | Without You | Electric Bass |
